Archiv für den Monat: November 2018

KW-48-2018: 10 years ago: Heute , 30. November 2018, vor zehn Jahren, am 30.11.2008 ging der erste Teil von Leonard Cohens Comeback-Tournee zu Ende. 10 Years Ago in the year of 2008: Leonard Cohen live at the Manchester Arena 30th Nov 2008: last night of ’08 tour

10 Years Ago in the year of 2008: Leonard Cohen live at the Manchester Arena 30th Nov 2008: last night of ’08 tour

Besten Dank an „cohenadmirer1“, der diese schöne Erinnerung vor 10 Jahren auf YOUTUBE postete-.

Vor 5 Jahren postete der admirer folgendes: „Security was very tight on this glorious and wet June evening but towards the end I hesitantly, then with more confidence, pointed my camera at the spaces between the heads in front and recorded (many partial): Hallelujah/Democracy/i’m your man/So long“, sind wir ihm trotz der strengen Security höchst dankbar, denmn das sind historische Aufnahmen:

und und auch andere waren gottseidank sehr fleißig :

and laast but not least: Leonard Cohens Final Words in his last Concert of the Fall 2008 Tour in The M.E.N. Arena Manchester november 30th 2008; postet by albertnoonan

KW-48-2018: more Covers … Dear Leonard: The Cohen Collection by Canada’s Reid Jamieson

A luminous tribute to Leonard Cohen, 7 stunning covers plus an original open letter to the master of song himself. Featuring Anne Lindsay on burning violin. https://youtu.be/iYCBJJeqa-o
DOWNLOAD:  (WAV, MP3, Artwork)    https://app.box.com/s/l2fyqebu6q1d0upd8syul1dxndo7kqz1

KW-48-2018: Cohen einmal anders – Eine etwas – wie gesagt ganz andere – Art einer Ausstellung: Treaty. Tribute to Leonard Cohen.

Bettina Rave „12 songs“ Malerei 16.11.2018 – 11.01.2019

12 Songs
Konzeptuelle Malerei von Bettina Rave
16. November 2018 – 11. Januar 2019
Weihnachts-/Neujahrspause: 20.12.18 – 4.1.19

Als Hommage an Leonard Cohen, der am 7.11.2016 gestorben ist, wurden zwölf seiner Lieder von Bettina Rave in farbige Notationen übersetzt. Übertragen wurde jeweils die Singstimme. Die Höhe der daraus entstandenen Bilder beträgt immer 60 cm; die Breite hängt von der Dauer des jeweiligen Liedes ab und reicht von 60 – 175 cm. Die Tiefe der Bilder wird durch die Anzahl der Strophen bestimmt; pro Strophe werden 8 mm berechnet. Jedem Ton wurde eine Farbe zugeordnet, die Pausen sind weiß. Die Tonlänge bestimmt die Breite des Farbstreifens. Eine Achtelnote ist 4 mm breit, eine ganze Note 32 mm, etc.  Der Zyklus dieser zwölf Arbeiten, alle Acryl auf Leinwand und 2018 entstanden, trägt den Titel Treaty. Tribute to Leonard Cohen.

Im Gegensatz dazu wurden in dem kleinformatigen siebenteiligen Zyklus heute den Buchstaben des Alphabets Farben zugeordnet. Er besteht aus Acryl auf Karton. In den beiden gezeigten Zyklen geht es also um Übersetzungen von einem Code in einen anderen, im ersten von Tönen in Farben, im zweiten von Buchstaben in Farben.

Des weiteren sind in der Ausstellung ein typografisches multiple zu sehen sowie das Video painting (Bettina Rave, 2016, DV, Farbe, 6 Min.). In „painting“ wird die Monitor- oder Projektionsfläche wie eine Leinwand aufgefasst. Das schwarz-weiße Video zeigt einen Prozess, in dessen Verlauf die transluzente Bildfläche mittels einer Farbrolle formatfüllend mit weißer Farbe bedeckt wird und ein monochrom weißes Bild entsteht. Der Titel „painting“ beinhaltet gleichermaßen „malend“ wie „Gemälde“, destilliert also die Tätigkeit und ihr Ergebnis zu einem Begriff.

http://www.galerie-g-freiburg.de/index.php

KW-48-2018: die dunkle welt brennt lichterloh und die letzten worte von #LEONARD_COHEN… mehr #The_Flame – Rezensionen

DER TAGESSPIEGEL

https://www.tagesspiegel.de/kultur/gedichtband-von-leonard-cohen-die-dunkle-welt-brennt-lichterloh/23144548.html

WDR

https://www1.wdr.de/kultur/buecher/leonard-cohen-die-flamme-104.html

ROLLING STONE No. 12./2018

ROLLING STONE im Dezember 2018 – Titelthema: Mark Knopfler und Dire Straits

 

 

 

 

KW-47-2018: One week ago / vor einer Woche: #NACHKLANG zu #PERLA_BATALLA_Live_in_Germany_2018 – All Infos about in COHENPEDIA-E-LETTER No. 7 – Alle INFOS über die #Offenbacher_Lesungen_2018 mit #Perla_Batalla – Eine andere Seite von LEONARD COHEN – zusammengefaßt im COHENPEDIA-E_LETTER No. 7/ 2018

cohenpedia-e-letter-by-christof-graf-no-7-batalla-perla-OFFENBACH-NACHKLANG-bilingual-safety

Anläßlich des einzigen Konzertes von #PERLA_BATALLA in Deutschland seit 25 Jahren

und hier:

a – archives – #Offenbacher_Lesungen_2018 / Literatur im O-Ton / Eine Andere Seite von #Leonard_Cohen

KW-47-2018: Descending with atmospheric density – Perla Batalla interprets Leonard Cohen’s biblical songs : #Offenbacher_Lesungen_2018 #Perla_Batalla – Another Side Of LEONARD COHEN

Descending with atmospheric density

Perla Batalla interprets Leonard Cohen’s biblical songs

Returning to the German stage

A memory of the “Offenbacher Lesungen 2018/ Literatur im O-Ton,” by Christof Graf

(Photo: Christof Graf)

The American singer/songwriter Perla Batalla accompanied the rock Poet Leonard Cohen twice during his world tours in 1988 and 1993. It has been 25 years since she last performed in Germany. On the occasion of this years “Offenbacher Lesungen,” under the motto “a different side of Leonard Cohen, she mainly performed the 2016 passed rock poet’s songs with biblical connotation. “Year for year, in the ‘Offenbacher Lesungen / Literatur im O-Ton’ series, the Max Dienemann / Salomon Formstecher Gesellschaft presents the pinnacle of German vocal artists, who present the works of Jewish authors,” says Anton Weinberg, chairman of the association, to the audience of the sold out hall of the “Alten Schlosserei,” in Offenbach am Main, at the beginning of the evening. “A novelty this year is the addition of Perla Batalla, a representative of a special style of vocal art, who in the 80s and 90s, was a member of Leonard Cohen’s accompanying band,” continued Weinberger.

And it was a good decision to take specially selected songs and texts of Leonard Cohen and to embody them through many art forms by the presenting artists: narrative art, literature and music. The literary embarking into “A different side of Leonard Cohen,” was made by the Berliner actor, author and director Hanns Zischler, who presented himself as a truly congenial interpreter of the Canadian-Jewish songwriter’s word art, as he recited Leonard Cohen’s biblical texts.

He breathed new life into the words of the rock poet, who passed at the age of 82 in Los Angeles, with “I had a very Messianic childhood…” from psalm 4, out of Cohen’s 1984 “Book Of Mercy.” More texts out of Leonard Cohen’s books followed, such as “Let me rest!” from Psalm 5 out of “Book Of Mercy.” Most of all it was the biblical references that should have shown “a different side of Leonard Cohen,” and at no point should it have been a “best of program.” In a similar fashion, texts such as “Genius,” “Folklore,” and “Lovers,” from “Flowers for Hitler – Poems and Songs 1956-1970,” were presented to the attentive audience by Hanns Zischler, who accented his performance with theatrical facial expressions and gestures. “Take This Waltz,” by Cohen’s favorite Spanish poet, Federico García Lorca, rounded out the literary homage to Leonard Cohen.

After that, Perla Batalla dove into the musical world of Leonard Cohen, with “If It Be Your Will,” from the album “Various Positions.” With strong emotions and a powerfully deep interpretation she reminded everyone of his eloquence, which was shown more and more with each of her eight performed songs on that evening.

Musical contributions from seven out of the 14 albums of the total works of Leonard Cohen were the focal point of the biblical evening with Perla Batalla. It did not matter if the songs were from the 60s, “Sisters Of Mercy” (“The Songs Of Leonard Cohen”), the 70s, “Who By Fire” (“New Skin For An Old Ceremony”), the 80s,“Take This Waltz” (“I’m Your Man”) or even from the 90s with “Anthem” (“The Future”); they all proved their ability to shine well after the death of their creator.

Perla Batalla was the musical companion of Leonard Cohen from 1987 to 1993. 2007 she released the tribute album “Bird On The Wire.” Since 2016 she has been touring with her so called “House Of Cohen” program, as a tribute to her erstwhile companion, through the U.S. She was the perfect cast for this unique, exceptional concert. Her voice is powerful and deep at the same time. Her performance is discreet, while still being full of presence. Her presentation is in service of the repertoire of songs; she does not distinguish herself, but the song and the author. In an elegant black and white dress, standing barefoot on stage, accompanied by musicians (Luis Cartes (Pianio), Marc Prat (Bass), Manu Corbalán (Guitar)) whom she gives space to unfold, the amicable singer further strengthens her ability to shine with the title song of Leonard Cohen’s last piece of work “You Want It Darker.” The song had its live premiere in Germany.

The audience was moved and awestruck by the atmospheric density that Perla Batalla was able to weave. After a short verbal reminiscing on Leonard Cohen in Form of a memory, Perla Batalla tuned in with an encore: Leonard Cohen’s biggest hit “Suzanne.” This was further evidence of the atmospheric density and depth on this evening.