KW-12-2024: SO LONG MARIANNE – Eine neue TV-Doku-Serie versucht Leonard Cohen einem jüngerem Publikum nahe zu bringen : So Long, Marianne – Alex Wolff & Oystein Karlsen On Capturing The Spirit Of Leonard Cohen In ‘So Long, Marianne’ — Series Mania

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Alex Wolff & Oystein Karlsen On Capturing The Spirit Of Leonard Cohen In ‘So Long, Marianne’ — Series Mania

 

Das kommende Crave TV-Drama über die legendäre Romanze zwischen Leonard Cohen und seiner Muse Marianne Ihlen hat seine Hauptdarsteller gefunden. Die Produzenten von So Long, Marianne, sagen, dass sie den US-Schauspieler Alex Wolff für die Rolle des Cohen und die norwegische Schauspielerin Thea Sofie Loch Naess als Ihlen gecastet haben. Die Serie erinnert an eine Zeit in den 1960er Jahren, als sich die beiden – beide Anfang 20 – auf der griechischen Insel Hydra kennenlernten. Sie inspirierte schließlich den Song So Long, Marianne, der 1967 auf Cohens Debütalbum „Songs of Leonard Cohen“ erschien.

Crave und der norwegische Co-Produzent NRK sagen, dass die Dreharbeiten für die Serie am 24. März 2023 begonnen haben und sie in Montreal, Hydra und Oslo gedreht wurde. So Long, Marianne ist eine kanadisch-norwegische romantische Drama-Fernsehserie, die 2024 Premiere feiern soll. Die Serie ist eine Dramatisierung der Romanze zwischen dem kanadischen Schriftsteller und Musiker Leonard Cohen und Marianne Ihlen, der Norwegerin, die Cohen zu seinem Song „So Long, Marianne“ inspirierte, in den 1960er Jahren. In den Hauptrollen sind Alex Wolff als Cohen und Thea Sofie Loch Næss als Ihlen sowie Anna Torv als Charmian Clift, Noah Taylor als George Johnston und Peter Stormare als Irving Layton zu sehen.Zu den Nebendarstellern gehören Macha Grenon als Cohens Mutter, Éric Bruneau als Cohens Cousin Robert Hershorn und Kim Lévesque Lizotte als Monique Mercure sowie Robin L’Houmeau.  In Nebenrollen sind Raphael Grosz-Harvey, Miranda Calderon, Tatiana Latreille, Ryan Bommarito, Emily Lê, Frank Fontaine, Christina Bennington, Megan Jonker, Sonia Berube, Rob Stewart, Chip Chuipka, Howard Bilerman, Avi Bendahan und Patrick Watson zu sehen.

 

So Long, Marianne is a Canadian-Norwegian romantic drama television series, slated to premiere in 2024. The series is a dramatization of the 1960s romance between Canadian writer and musician Leonard Cohen and Marianne Ihlen, the Norwegian woman who inspired Cohen’s song „So Long, Marianne

The series stars Alex Wolff as Cohen and Thea Sofie Loch Næss as Ihlen,as well as Anna Torv as Charmian Clift, Noah Taylor as George Johnston, and Peter Stormare as Irving Layton.The supporting cast includes Macha Grenon as Cohen’s mother, Éric Bruneau as Cohen’s cousin Robert Hershorn, and Kim Lévesque Lizotte as Monique Mercure, as well as Robin L’Houmeau, Raphael Grosz-Harvey, Miranda Calderon, Tatiana Latreille, Ryan Bommarito, Emily Lê, Frank Fontaine, Christina Bennington, Megan Jonker, Sonia Berube, Rob Stewart, Chip Chuipka, Howard Bilerman, Avi Bendahan and Patrick Watson in supporting roles.

A co-production of Norway’s NRK and Canada’s Crave, the series entered production in spring 2023, with shooting in Montreal, Oslo and the Greek island of Hydra.

The series is slated to screen in competition at the Series Mania television festival, with its broadcast premiere date still to be announced.

KW-12-2024: Signed books and artwork by Leonard Cohen this Thursday March 21 at PBA Galleries Live Auction.

Signed books and artwork by Leonard Cohen this Thursday March 21 at PBA Galleries Live Auction. You can bid from anywhere in the world.

https://pbagalleries.com/lot-details/index/catalog/681/lot/225598/Parasites-of-Heaven?url=%2Fauctions%2Fcatalog%2Fid%2F681%3Fpage%3D1%26view%3Dlist%26catm%3D2%26order%3Dorder_num%26xclosed%3D0%26featured%3D0%26key%3Dcohen&fbclid=IwAR3md1zn4fvGAj1zhgQYdNcPHSRz68K3adKla6GM-ovO1QlWYEtxpUtBfhw

KW-12-2024: Leonard Cohen A Jewish Mind’s Fascination with Jesus of Nazareth – new book out

In „Leonard Cohen. A Jewish’s Mind Fascination with Jesus of Nazareth,“ Erminia Passannanti offers a compelling exploration of Leonard Cohen’s artistic journey, intertwining his Jewish heritage with his deep fascination for Jesus of Nazareth. This book does not merely skim the surface; it delves into the depths of Cohen’s lyrical and poetic prowess, uncovering the rich tapestry of religious, philosophical, and artistic themes that underpin his work.

Passannanti skillfully unravels the complexities of Cohen’s engagement with religious motifs, particularly examining how his Jewish background intersects with his intrigue towards the Christian figure of Jesus. This interplay between theology, philosophy, and the arts resonates with universal questions of human destiny, divine justice, and the nature of suffering. By dissecting Cohen’s lyrics, Passannanti reveals the theological and philosophical underpinnings that infuse his music, providing a reflective lens through which we can explore these enduring human questions.

Moreover, the book offers a comparative analysis of Cohen’s work with other artists like Bob Dylan and Mumford & Sons, who also draw inspiration from religious texts. This not only situates Cohen within a broader musical landscape but also highlights the uniqueness of his spiritual quest. Passannanti’s own transition from a Catholic upbringing to an intellectually open perspective mirrors Cohen’s thematic explorations, adding a personal depth to her analysis. Her understanding of religious symbolism, shaped by her exposure to religious texts, echoes in her interpretation of Cohen’s work.

Passannanti adeptly navigates the cultural and historical significance of Jesus, connecting it to Cohen’s work and thus illuminating the broader cultural and spiritual landscape of his era. This approach invites readers to consider the interplay between pop culture, Judaism, and Christianity, exploring the cultural impact of Jesus through Cohen’s lyrics. The book extends beyond conventional boundaries, shedding light on the intersection of history, faith, and culture.

This publication is not just a tribute to Cohen’s artistry; it’s a gateway for readers ranging from Cohen enthusiasts to scholars of theology and popular culture. It encourages an exploration into the intricate ways in which popular culture, spirituality, and artistic expression intersect. Passannanti’s analysis provides a comprehensive understanding of Cohen’s multifaceted exploration of spirituality, art, and cultural legacy, making „Leonard Cohen. A Jewish’s Mind Fascination with Jesus of Nazareth“ an essential read for anyone seeking to comprehend the profound impact of Cohen’s work and its enduring significance in the cultural canon.