KW-03-2023: DAVID CROSBY was originally set to produce Leonard Cohen’s album SONGS FROM A ROOM. “I love his lyrics, I think they’re fantastic. I like his songs, I love his lyrics. And I like him, I thought that what he was portraying in this world was good. His insights were deep“, Crosby said 2 years ago on AMERICANSONGWRITER.COM – #Leonard_Cohen_and_David_Crosby

“I love his lyrics, I think they’re fantastic.  I like his songs, I love his lyrics.  And I like him, I thought that what he was portraying in this world was good.  His insights were deep.”

DAVID CROSBY was originally set to produce Cohen’s album SONGS FROM A ROOM

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In fact, Crosby actually began the process of producing the album, recording a few tracks with Cohen in Hollywood in May 1968.- That`s one of „5 Things You May Not Have Known About David Crosby“ on an article on RHINO.COM on Tuesday, August 14, 2018, still available under the following link: https://www.rhino.com/article/5-things-you-may-not-have-known-about-david-crosby

“Cohen had resisted the former Byrd’s attempts to mold his music until it became a part of California’s burgeoning hippie-folk scene,” wrote Douglas Heselgrave in the May 2007 issue of The Music Box. “Despite his sympathies for many of the ideas floating around in the aftermath of the summer of love, Cohen’s musical aesthetics veered more closely to the sounds of country music, which may seem ironic given it was a collection of songs that celebrated transience and bohemian lifestyles.” In the end, Cohen opted to shift directions and move forward with Bob Johnston as the producer instead, preferring the sound that Johnston had gotten for such artists as Johnny Cash and Bob Dylan.

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„Okay, okay, this is an admittedly random question, but there are so few details out there about it that I can’t help but ask — what’s the story with you and Leonard Cohen? You were originally slated to produce his second album, but it fell through. What happened?, asked Joe Vitagliano 2 years ago on: https://americansongwriter.com/a-conversation-with-david-crosby/

DAVID CROSBY: It was very frustrating, man. I could see how good he was. I mean, if you read his lyrics, you’re stunned by how talented the guy was. But, when I met him he wasn’t a very good singer. Joni and him were friends and she brought him to me just after I had produced her record. I did a session with him and I just couldn’t do it. I wasn’t the right person to record him. He wasn’t the kind of singer I wanted to record, I like a different type of singer. The chemistry wasn’t there and I said “Look, I can’t do this,” so we moved on.  I love his lyrics, I think they’re fantastic. I like his songs, I love his lyrics. And I like him, I thought that what he was portraying in this world was good. His insights were deep. But, as a singer trying to make a record… well, uh-uh. Sorry, that’s not for me.

 

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 Tatsächlich begann Crosby  mit der Produktion des Albums und nahm im Mai 1968 einige Tracks mit Cohen in Hollywood auf. „Cohen hatte den  Versuchen des ehemaligen Byrd,  seine Musik zu formen,  widerstanden, bis sie Teil  der  aufkeimenden kalifornischen Hippie-Folk-Szene  wurde“, schrieb Douglas Heselgrave in der Mai-Ausgabe  2007. von The Music Box. „Trotz seiner Sympathien für viele der Ideen, die  nach  dem Sommer der Liebe  herumschwirrten,  wandte sich Cohens musikalische Ästhetik mehr den Klängen der Country-Musik  an, die  mag ironisch erscheinen, wenn man bedenkt, dass es eine Sammlung von Liedern war  , die Vergänglichkeit und Bohème-Lebensstil feierten.“ Am Ende entschied sich Cohen, die Richtung zu ändern  und  stattdessen mit Bob Johnston als Produzent weiterzumachen, wobei er den Sound bevorzugte,  den  Johnston  für Künstler  wie Johnny Cash und Bob Dylan bekommen hatte.

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Es war sehr frustrierend, Mann. Ich konnte sehen, wie gut er war. Ich meine, wenn man  seine Texte liest, ist man verblüfft  ,  wie talentiert der Typ war. Aber als ich  ihn traf, war er  kein sehr guter Sänger. Joni  und er waren Freunde und sie brachte ihn zu mir, kurz nachdem ich  ihre Platte produziert hatte. Ich habe eine Sitzung mit ihm gemacht  und ich konnte es einfach nicht  tun. Ich war nicht die richtige Person, um  ihn aufzunehmen. Er war nicht die Art von Sänger,  die  ich aufnehmen wollte, ich mag eine andere Art von Sänger  . Die Chemie stimmte nicht  und  ich  sagte: „Schau, ich kann das nicht“, also machten wir  weiter. Ich liebe seine Texte, ich finde sie fantastisch. Ich mag  seine  Lieder, ich liebe seine Texte. Und ich mag ihn, ich dachte,  dass das, was er  in dieser Welt darstellte,  gut war. Seine Einsichten waren tief. Aber als Sänger, der  versucht,  eine Platte zu machen…  naja, uh-uh. Tut mir leid, das ist nichts für mich.