LIVE IN DUBLIN – … und das schrieb THE IRISH TIMES damals dazu

Keine Müdigkeit lässt Leonard Cohen erkennen, schrieb Kevin Courtney in The Irish Times am 12. September 2013. Es war der fünfte Besuch Leonard Cohens in sechs Jahren, der fünfte Besuch in Irland im Rahmen seiner Welttournee von 2008 – 2013.


„Thank you for putting your household budget in jeopardy,“ sagte Leonard gleich nach dem ersten Song des Abends, „Dance Me to the End of Love“ zum Publikum.

Dann stellte Courtney fest: „This was the first of two nights at Dublin’s O2 – he performs again tonight – and though the docklands venue couldn’t hope to equal the atmosphere of his legendary concerts at the Royal Hospital in Kilmainham, Cohen did manage to turn the vast venue into a small, smoky jazz club for a couple of hours.

Kevin Courtney fragte in der The Irish Times: „So, what brings the crowds out year after year to see him? It’s the sheer quality, which hasn’t diminished with age?“, nicht ohne eine Antwort zu geben. – es ist seine Stimme: „His voice is pure liquid gold – with a dash of bourbon and just a dollop of guilt and self-loathing.“

„And his knees haven’t gone, either; many’s the time he gets down to beg forgiveness from someone he has wronged, or simply to genuflect at the wonder of it all.

Courtney  gefällt es, wenn Cohen die Worte ans Publikum richtet und zitiert: „I’m not quite ready to hang up my boxing gloves just yet,“ he tells the crowd. „I don’t know when we’ll meet again, but tonight we’ll give you everything we’ve got.“

And he does, delivering a lengthy set of classic songs. His trusty band were with him all the way, delivering virtuoso performances that did justice to Cohen’s magnificent back catalogue. Solos from violinist Alexandru Bublitchi, guitarist Mitch Watkins and laud player Javier Mas juxtaposed nicely with the gently undulating voices of Sharon Robinson and sisters Charley and Hattie Webb.

At the centre of it all, though, was Cohen’s seasoned voice, delving effortlessly into seldom-reached depths of the soul. And he sounds like he still means it – Bird On A Wire was sung with fresh passion and penance, while Come Healing proved that there’s redemption in this old sinner’s soul.

As long as Leonard Cohen keeps serving up his smooth nectar of timeless songwriting and skilled delivery, there’ll always be a welcome for him here.